As part of the VFX pipeline, I worked in both layout and camera tracking—two roles that sit at the intersection of art and technical precision. My work involved reconstructing live-action camera movement in 3D space to ensure digital assets aligned perfectly with filmed footage. In layout, I focused on shot composition, continuity, and the visual rhythm of a scene, helping translate storyboards into cinematic sequences. These experiences deepened my understanding of perspective, spatial design, and the relationship between motion and emotion—skills that continue to inform my creative process today.

Credit List:

Deadpool -2015
X-Men Apocolypse - 2016
Beauty and the Beast - 2017
Fate of the Furious - 2017
Power Rangers - 2017
Spider-Man Homecoming - 2017
Thor: Ragnarok - 2017
Black Panther - 2018
Avengers Infinity War - 2018
Antman and the Wasp - 2018
Aquaman - 2018
Captain Marvel - 2019
Avengers Endgame - 2019
Togo - 2019
Dune - 2021